Characters: **** (4 stars)
Character development: **** (4 stars)
Plot: *** (3 stars)
Writing: *** (3 stars)
Overall: ***1/2 (3 1/2 stars)
Age Range Recommendation: 9 and up
(Be it known that I read an ARC of Monstrous and a few details may have changed since publication.)
It’s been a while since I reviewed any children’s books, and that’s just not natural. Speaking of unnatural things… Kymera, the patchwork girl-creature in Monstrous, thinks she is a monster: not human but not any one beast, feared by the people of Byre for her predatory instincts and frightening abilities. Only Kymera’s father understands her. After all, he’s the one who made her – reanimated from different body parts – and gave her a mission to rescue girls in the nearby city from the clutches of a dangerous wizard. A sickness rages through the city, infecting only young girls, who the wizard then kidnaps for his own nefarious purposes. But Kymera and her father want to stop him – after all, the wizard killed the human Kymera once was. Now she’s unrecognizable and has lost nearly all memories of her previous life. With her father’s knowledge of science and her special skills, they intend to bring the sick girls to the safety of Belladoma. Kymera’s stinging tail, her wings, and her animal senses keep her safe, but they also prevent her from befriending any human other than her father. They have a happy life in the forest, but a girl needs friends as well as family.
Feeling like one of the locked-up princesses in her beloved fairy tales, Kymera starts to dawdle on her night-time rescue missions to Byre. She meets Ren, a boy who is also out after curfew. With her abnormalities hidden away under a cloak, Kym and Ren slowly become friends. She learns about Bryre and the evil that troubles it. But as she discovers more about the people who live in the city she wants to protect, doubts and hidden memories start to trouble her mind. It might take more to defeat the wizard than the rescue of his victims. Kymera might have to battle the threat herself, even if it means exposing her true nature to the boy who trusted her.
Monstrous draws on a variety of fairy-tale themes, and is obviously influenced by classics like Frankenstein and The Hunchback of Notre Dame, but the characters and story are very much their own creature. There’s no shortage of fantasy stories set in vaguely-Germanic worlds, but I’ll admit to being a sucker for palaces and dark forests and dragons. Especially dragons, and Monstrous has a great one.
While there’s nothing groundbreaking about the world Connolly has created here, it was easy to settle amongst the surroundings – like flopping into a comfortable bed of pine needles on a sunny afternoon. (I’m really sick of Winter. Can you tell? Lots of this book takes place out-of-doors, and it made me ache for the sight of anything green and growing.) Each chapter is marked by how many days have passed since Kymera first comes into being, whether you want to call it “waking up,” or “being born.” We learn about her world at the rate she does, and her voice adds a degree of wonder to even the most recognizable landmarks of children’s fantasy fiction. The beginning of the book could have been animated by Disney, with the rose garden and the half-dog-half-bird who flies around causing mischief.
“A yapping brown dog with sparrow wings skids to a landing by Father’s plush armchair. Pippa. He calls her a sperrier. I call her delicious.” (Quoted from the ARC.)
As the days pass and Kymera learns more about her purpose, the comforting ambiance disappears. Different concerns work themselves into Kym’s conscious thought and, therefore, into the narrative. The use of first-person present-tense means that her realizations are instant and emotionally charged. When she tries to reason her way out of a paradox and the logic just doesn’t add up to what she’d expect, the thought process is right there. On one hand, this means that a reader will feel strong sympathy for this girl who thinks she’s something horrifying, who wants to help people but doesn’t know if she’s doing it right.
On the other hand, the style made for a very slow first half of the novel. The build-up to Kymera’s Big Realization included so many nuanced hints that jump out as clues on the page but are clouded in the narrator’s mind by her innocence. The day-by-day chapter structure provided almost repetitive details about Kymera’s developing awareness, and indeed certain sentiments were echoed almost verbatim from one chapter to another. Her explorations of the city and her concept of right and wrong are important to the story, yes, but the cycle of fly-fraternize-rescue-lie got predictable after a while. One of the big twists – the catalyzing event of Monstrous‘s action – was also predictable, but I find that the story didn’t suffer so much because of that. Betrayal of some sort is inherent in both fairy tales and the classic novels I saw reflected in Connolly’s writing.
Once the slow-burn beginning finally lights a fire under Kymera’s tail, things get exciting fast. The second half of Monstrous was a great deal of fun, and made the slight slog worthwhile. Kym gets to meet new characters, puzzle over fantasy-world diplomacy, and finally put her sharp claws to good use! The adventure gathers speed all the way to an emotional ending that was different than what I expected. So, in the end, Monstrous turned out to be a hybrid of one slow emotional journey of understanding and a lively adventure. The balance was a little off, but the story was sound and the characters really grew on me.
I recommend Monstrous for strong readers aged ten and up. It’s a rather long book (432 pages) and requires some dedication before the pace picks up. The darkness and moral ambiguity reminded me of The Thickety, which I also recommended with some reservations. Kids who have devoured their fairy-tales, or who require awesome dragons in their reading experiences, will enjoy Monstrous. (Readers of that description should also read Patricia C. Wrede’s Dealing With Dragons!) By the end, I felt like I had known Kym for my whole life. From her beginning as a cobbled-together creation made from dangerous creatures, she becomes as brave and kind a heroine as any from her library of fairy-tales.