Star Ratings (out of 5):
Characters: **** (4 stars)
Character Development: ***** (5 stars)
Plot: **** (4 stars)
Writing: **** (4 stars)
Overall: **** (4 stars)
Age range recommendation: 13 and up.
Pointe is Brandy Colbert’s debut novel: a realistic YA story focusing on a kidnapping. And ballet. And eating disorders. And high school. It’s about Theo, who had to face the challenges of the dance world and recovery without her best friend, ever since Donovan disappeared when they were thirteen. At first she thought Donovan might have just run away, only a few days after her boyfriend left without saying goodbye, which was confusing enough on its own. But years went by and when he didn’t return, Theo had to agree with everyone else that he must have been kidnapped.
But all of a sudden, in her junior year, Donovan returns to the neighborhood. Between the media frenzy and the rush of memories about their mysterious last conversation so many years ago, Theo’s nerves are understandably frayed. Donovan won’t speak – about his kidnapping or anything else – and he won’t even see her. Theo’s life gets very hectic very quickly. At school, all her friends have opinions about the Donovan case, and old memories won’t stay buried. At ballet, the new pianist (who happens to be her friends’ dealer and a casual acquaintance from school) has broken the wall between Theo’s two separate worlds of dance and everything else. And when a new development in the identity of Donovan’s kidnapper comes to light, Theo has no choice but to question everything that happened between them when she was thirteen. Time is running out to separate memories from self-delusions, because the trial’s coming up and her testimony could change everything. With her own future in ballet to consider and uncertainty about Donovan’s experience weighing heavy on her mind, pressure from every aspect of Theo’s life threatens to take a toll on her physical health as well as her grasp on what has made her who she is.
So, Pointe had a lot going on in it. There were so many subjects Colbert chose to deal with, I was worried that certain threads of the plot would have to be abandoned for the conclusion to work. And it’s true that the focus did jump around a little to much in the first few chapters of the novel. We read about Theo’s love fer dance, her recent experience at a recovery center for her anorexia, they dynamics of her friend group, and some intriguing hints about her previous relationships with Donovan and her ex.
I was especially worried that the eating disorder would drop out of the picture without being thoroughly discussed, if not resolved. Too many YA books describe a character as anorexic as an easy fix; just to supply a set of pre-formed judgements to otherwise under-developed character traits. Other books glamorize the notion of starving one’s self past the point of fragility. As someone who has experienced firsthand how un-glamorous and challenging anorexia really is, I was relieved to see that the triggers and emotional responses were considered throughout all the external drama. Theo’s thoughts about food were certainly skewed, but since the majority of Pointe is told in the present tense of a first person point of view, her own rationalizations and justifications go hand-in-hand with all the unpleasant symptoms. Because the disordered thought patterns are so accurately portrayed – Theo works hard to hide her relapse and ignores the danger she’s in – I would caution anyone struggling with their own recovery against reading Pointe until such thoughts get a good bit of objective distance. Otherwise the whole eating issue was treated fairly well, though I do think that there could have been a few more details about the nasty physical repercussions of Theo’s self-enforced restrictions, just to remind readers now and then that it’s really awful to have your body eat itself out of desperation. Maybe that would have been veering near the edge of preaching, though, and Pointe strives (pretty successfully) to stay away from any obvious moral lessons in favor of a real, honest attitude towards the multitude of dilemmas.
What about the other dilemmas, then? The most gripping layer of Pointe’s premise was always going to be the kidnapping, though the angle might be different than some readers expect. The victim himself doesn’t feature as an active character even when he returns. He appears in Theo’s memories and thoughts way more often than he does in the flesh, so we get a unique spin on the abduction narrative. I really liked how Theo couldn’t be sure whether Donovan meant to disappear or not, and refused to make a judgement for years until she could get a clearer picture of his intentions. Her reaction to learning that the suspect is someone she knows is actually the pivotal revelation in that storyline, not Donovan’s return. This twist ensures that Pointe continues to be a book about Theo more than anyone else: her own tangled past, her own conflicting fears, and her own big decisions. Big questions about consent and maturity get pulled into the limelight, but since most of the discussions about these topics come from teenaged characters talking naturally amongst themselves, Colbert has resisted the trap of letting Pointe turn into one of those books where problems are either fixed or trivialized with too much external intervention.
The characters in general are pretty excellent, and nicely varied. One or two individuals were too over-the-top for my tastes: too slimy with money or unbearably vapid, but these weak links were mostly just the minor characters who filtered in and out of Theo’s school surroundings. Her closest friends were very likable, with witticisms a’plenty but also showing true friendly concern even when she doesn’t think she needs their help. I liked the portrayal of Theo’s family: her parents are mostly supportive and she clearly doesn’t want to hurt them with her own struggles. There can still be conflict and secrets without every adult functioning as the enemy, and Colbert showed that nicely. I also admired the fact that Theo and her parents are one of the only black families in their neighborhood, and while this obviously impacts her life, race never becomes her sole defining feature. She’s a ballerina who happens to be black, just like she’s a young girl who happens to struggle with a disorder, and a teenager who happens to have a secret. Three damn cheers for dancers of color taking center stage – and for popular YA novels with main characters of color, in general. I hope Pointe gets a whole lot of readers (and subsequently, publishers, etc) realizing that it’s easy to relate to any character who is written skillfully and who can illicit our sympathy. On that note, too, the ballet scenes are interesting without descending into insider-jokes and the like. I haven’t had one ballet-themed thought since I was about eleven, but rather than going on technical tangents the sport is just described as Theo’s artistic passion, and passion is – I hope – fairly universal.
The pages of Pointe are absolutely stuffed with drama and angst, but the main character’s earnest struggles are what make it so readable. You could honestly take away the sometimes-melodramatic romantic entanglement, which didn’t add much to the story. I would have liked to read a little more about Donovan’s family and a little less about high-school assholes. But all in all I got thoroughly wrapped up in Colbert’s story, and read the book in pretty much one go. Read Pointe if you like realistic YA with true-to-life main characters. Theo doesn’t run around speaking in poetical jargon, and there are no tragic one-liners here. It’s a good book for anyone who likes the drama of mysteries but without the sleuthing, too.
I would suggest that anyone under the age of 13 think carefully before reading this one, because the topics of anorexia, sexual assault, and drug dealing are portrayed quite frankly and without any tiptoe-ing around the harsh facts. Any ballerinas read Pointe? Please tell me what you thought of it, since I’m not familiar with that world. In the end, this was a really exciting debut novel and I love how Brandy Colbert pushed her material into new and different directions. You can bet I’ll be reading anything she might write in the future.